Authored Books
Purl (Nottingham: Shoestring Press, 2020) [full length poetry collection]
A Woman in the Queue (London: Melos Press, 2016) [poetry pamphlet]
Edited Collections
Dixon, J. and D. Cordle (eds), Writing the Contemporary: Poetry and Postcards from UNESCO Cities of Literature (Nottingham: Trent Editions, 2019)
Editorial Assistant: Camilla Bostock and Sarah Jackson (eds), 'Unidentifiable Literary Objects – A Special Issue', parallax, 25.3 (2019)
Journal Articles / Chapters
'Alice Oswald, 1966-' in Criticism of the Works of the Most Significant and Widely Studied Poets of World Literature Volume 273 (2024), ed. by Carol A. Schwart
‘Reading and Writing Index Cixous: Reflections on Creative Writing Research in the Academy’, Writing in Practice: The Journal of Creative Writing Research, Volume 7, Multimodal Writing Special Issue:
Dixon, J., ‘Brightness and Unfixity: reframing epiphany in Alice Oswald’s Woods etc.’ C21: Journal of 21st Century Writings, 7(1): 13 (2019), pp.1-21.:
Individual Poems and Short Stories
Individual poems and short stories appear in the following anthologies and journals:
'Blurred Alice' in Lighthouse, Issue 28: The Accidental Winter 2024, , p.22
'Praise for Woman Whose Eye Shields the Land' in Dust Poetry, Issue 12 in
'Pylon' in
'Roadside' in In Flight (Black Bough. 2024), p. 27
‘Extract from Three Experiments in Translation - Elizabeth Bishop’s Pink’. 2022. The North 68, p.71
‘Clipped’. 2022. Reflex Flash Fiction Anthology Volume Five, Reflex Press, p. 90
‘light’, Asha Karami, transl. by Jo Dixon, Modern Poetry in Translation: The Fingers of Our Soul: The Bodies Focus, No. 1, 2022, pp. 33-35:
‘Nostos’ in Brittle Star (Issue 47, December 2020), p. 23-5
‘Skegness Wake’ in Places of Poetry: Mapping the Nation in Verse (London: Oneworld, 2020), p.255
‘The Night Before’, The Ekphrastic Review (June, 2020):
‘Moonstone Beach, CA’ in 25 (Nottingham: Shoestring Press, 2019), pp. 95-6
‘Stopper on the Poacher Line’ in In Transit: Poems About Travel (Birmingham: The Emma Press, 2018), p. 53
‘South Bank Catch Up’ in South Bank Poetry (November 2018), p. 5
‘Four Weeks’ in Our Beating Heart: NHS70 (Liverpool: erbacce-press, 2018), pp. 52-4
‘My Husband and Son Climb up to Blea Tarn’ in Writing Lives Together (The Centre for New Writing, University of Leicester, 2017), p. 4
‘The Late Miss Watts’ and ‘On Reading Some Memorials’ in Women’s Writing in the Midlands, 1750-1850: Susanna Watts and Elizabeth Heyrick, A Poetry Collection (The Centre for New Writing, University of Leicester, 2016), pp. 14-6
‘On Mending’ in Furies: A Poetry Anthology of Women Warriors (For Books’ Sake, 2014), pp. 21-2
‘The Century Café’, ‘Holiday Ballroom’ and ‘Provence’ in New Walk (Issue 8, Spring/Summer, 2014), p. 55-6
‘It’s Flo’s last day at the shop’ in The Interpreter's House (Issue 56, 2014), p. 21
‘My Creatures Die, Every One’, ‘Avocado’, ‘Alone’ and ‘Ardea Cinera’ in Species (Launderette, 2012), p. 17; pp. 40-2; p. 45; pp. 100-4
Reviews:
‘Jackie Kay at Inspire Poetry Festival 2017’ (Left Lion Online, 18th July 2017)
Kathryn Simmonds, The Visitations, New Walk, (Issue 9, October 2014), pp. 59-9